Mini Reviews: This Side of the Sky, Passing Love & Paris Noire

This Side of the Sky by Elyse Singleton 2002     
Bluehen Books/Penguin

IQ "Old people used to say there comes a time when you remember fifty, sixty years ago as if it were last week, but damn if you can remember last week at all. They were right. Every generation thinks their time is the time and talks about the resent as if it's some stable territory they can occupy indefinitely. Yet when we say now, by the time we get to the w sound, the n is in the past."  Lilian, pg. 8

Lilian Mayfield and Myraleen Chadham grew up in Nadir, Mississippi and they've been friends since they were babies. Nadir soon grows too stifling for both of them, Lilian wants a great education which she can't receive in the segregated South and Myraleen wants an adventure. Circumstances soon arrive that make it prudent for them to leave town and they travel about from Philadelphia to joining the Army and serving in England and then settling down in post WWII Paris for awhile. They struggle financially, learn about love and suffer through some trying times and tough losses, but they always, always, have each other.

  This book took sooo long to get started. I was hoping the girls would run away soon but it felt like it took them forever to decide to leave Mississippi and even then it wasn't really of their own free will. I also felt that parts of the story were implausible and while I was happy that some things occured, other events happened that seemed too coincidental so overall I'm going to say the book could have been more realistic to life. Furthermore I would have liked to get the perspective of August or some other guy to balance out the trio of Lilian, Myraleen and Kellner (a German POW).

 I loved the character of Myraleen, she's a spitfire uttering statements like "once I hate a bastard, I hate him forever. I guess I'm just loyal that way" (pg. 68), who wouldn't love a character like that? I also really liked Lilian, her quiet strength spoke volumes louder than Myraleen's tough dialogue. They have a beautiful friendship from the very beginning and the core of the book, the best part-next to the characters of the cities they pass through-is their enduring friendship that goes through some bumps but always heals. I also loved Mudear, Lilian's mother. Tough as nails but super sweet as well and even though she didn't finish her high school education she's still whip-smart. It's funny, one exchange between Mudear and Lilian stands out for me because it holds truths that still apply today. "Mudear read aloud anything she saw about colored people. 'See there', she'd say. 'Negro Holds Up Store. That's why we can't get anywhere. We don't know how to act.;

'But, Mudear,' I said. 'plenty of white people stick up stores, rob banks. And you don't see a headline saying 'White Man Robs Bank'.

'Got a point. [...] See, that's why I sent you to school, so you could think. Not too many folks can think. A lot can only talk. Better if it was the other way around" (pg. 81).

 The historical details were intriguing as well, especially learning about German POWs. I didn't know German POWs were lent out to farms in America and I didn't know how bad the Russians treated them. This book provided a more humane look and reminds readers not all Germans were Nazi, something that should strike people as obvious and yet it still bears repeating.

  This Side of the Sky is not overpowered by the strong personalities of the places Myraleen and Lilian visit, instead the dominant aspect is the friendship of the girls. They have different dreams but they also want the best for each other and are willing to sacrifice themselves for the other to ge a chance at her dreams, at her own sense of happiness. An attitude like that can only end in good things. The historical details about the treatment of German POWs and the discrimination Black women faced in America and while serving their country in the UK (of course the discrimination was from our own Army, not the English people) during WWII are vividly portrayed. The book is very thourgh in all its description, no detail is too small to be touched upon and while I didn't appreciate that quality in the beginning of the book, my patience paid off.

PS Another favorite quote that lightly touches on Paris aging too "Paris is changing. Pavement replaced cobblestones after students used them to pelt police in the '60s riots. McDonald's arrived in the '70s. Right-wing machinations and Third World immigration have strained the racial climate. Yet the core city is much the same. It's a comfort to grow old in a place that's so much older ,where even the light posts appear to understand. It must be so hard to age in America. A city block can be unrecognizable from one decade to the next, because the cheap plaster and plastic keep getting replaced by new cheap plastic and plaster." pg. 323. Food for thought, I'm going to retire somewhere like the Paris she describes, it may even be Paris!

Passing Love by Jacqueline E. Luckett 2012
Grand Central Publishing/Hachette Book Group

IQ "But I will tell you this-adventure is only a word. Don't be so fixed on findng, live and in that the adventure will come." Ruby, pg. 296

Nicole-Marie Roxane Handy has a serious case of Francophilia but until the death of her dearest friend she hadn't had the courage to visit Paris on her own. The death of her beloved friend kicks her butt into gear and she heads to Paris, leaving behind her Alzheimers-ridden father, her mother who is now more of a caretaker than a wife, and the marriage proposal from a man who is married. While exploring Paris Nicole finds an old photo of her father, he never spoke about his time studying in Paris and he doesn't remember it anymore but the photo is inscribed to a beautiful young woman who is not Nicole's mother. Nicole grows determined to discover the identity of this young woman and her connection to Nicole's father.

   We learn that the young woman is Ruby and she alternates chapters with Nicole. Ruby lived in Paris in the 1950s and my-oh-my it was a glorious time. Jazz clubs were beginning to open and there was a solid community of Black Americans. Towards the end the book does drag a bit. But it's ok because I wasn't ready to leave Paris just yet anyway. It does start off slowly but again I was content to meander through Paris with Nicole, but I did get bored with all the Mississippi  parts (that's where Ruby was from. I feel like its always the same family issues with books set during the 1920s-40s about teenaged girls in small towns, they wanna go off and explore but their super-protective mothers stifle them until they runaway. Eh-yawn). Also while I loved Arnett, I didn't understand his relationship with Ruby. The author started off seeming like one way and then all of a sudden Ruby & Arnett were pledging eternal devotion to each other, it came out of the blue since I was convinced he was going to drop her any minute.

 I liked Ruby, I may be one of the few people who actually liked her. I didn't mind that she was selfish and at times downright unlikable, she had spirit and as Nicole observes "a flash of that young, willful woman who dared to change her destiny. Reality hadn't met Ruby's expectations; she took what she could and stayed with it" (pg. 286). I do not love Ruby due to her current lifestyle but I respect her attitude towards life and I admire her resilience, she was devoted to Paris and everything French. She learned the language and the mannerisms, she learned about the entire culture and that must have been very hard to do living on a shoestring budget and constantly having to work. Plus Ruby knew her flaws. She didn't try to change them but she didn't try to conceal them either, in her old age she is comfortable with who she is and she makes very few apologies. Ruby is quite a character and I would love to meet her. Her advice she gives that I included as my Incredible Quote is excellent and something that makes complete sense but I feel like many people don't know that little bit of wisdom. It's one of my favorite book quotes, hands down. Living life is an adventure, no need to go search one out (that's ok too but people shouldn't feel like failures if they haven't had some grand adventure as long as they still took risks). Nicole didn't have as much of a lasting impression on me as Ruby did but I didn't dislike Nicole. I found her a bit boring at first simply because I never understand why people are afraid to travel but I grew fond of her too. I thought it was a good choice for the author to make Nicole 56 and show that it's never too late to have romantic travel flings (or serious relationships ;) The details about Black people in Paris and life in Paris in general during the 1950s are exquisite.

  Passing Love features lovely romances with surprising twists and adds a fresh spin to the classic tale of discovering one's past. It becomes immediately clear that this is not the average coming-of-age-by-discovering-family-secrets story simply based on Nicole's age and the way she goes about her search. I loved the title, its deceptively simple. As the story develops so too does the title, taking on many different meanings. I firmly intend on buying this book as my own reminder to visit Paris, when I do I intend on visiting all the places mentioned, exploring Black Paris. A new favorite.

Paris Noire by Francine Thomas Howard 2009                       Amazon Encore

IQ "She lapsed into the patois that was Martinique because it allowed her to relax into herself. She could speak proper French if she took a mind to the task. It wasn't even difficult. After all, it was De Gaulle's French she spoke every time she left her apartment and strolled the winding streets of Montmarte. Even General LeClerc could speak no better French than she when she taught her sixth grade class. Not that those ruffians from Morocco, Senegal and Algiers would know the difference anyway. She sighed. Who was she to think such thoughts? Wasn't she born and bred in Martinique, herself?" Marie Therese pg. 2

It's the liberation of Paris! The year is 1944 and Marie-Therese Brillard and her children Collette and Christophe are swept up in its exciting aftermath. They each find romance but with very different people. Colette with a white Frenchman, Christophe with the married wife of a Free French fighter and Marie Therese with Monsieur Lieutenant, a Black American soldier. These romances will not all end in happily ever-after....

I chose that little paragraph as the Incredible Quote because its one of my favorite parts (obviously) because it provides some insight into the time period and Marie Therese's frame of mind without being direct. But it also illustrates a characteristic of this novel that I detested and that is "oversharing". The reader already knows based on the first sentence in that paragraph that Marie Therese has some connection to Martinique. There could have been a better way to make it clear that she was born and raised there then by having the speaker REMIND herself where she grew up. Something as simple as "Who was she to think such thoughts, she an immigrant herself?" And then obviously the reader would think 'huh since she speaks in the patois of MARTINIQUE than that's where she must be from'. Thus the awkward sentence that ends the paragraph in the IQ has been avoided. Sadly that happens a lot throughout this book, characters practically hurt themselves trying to show off their knowledge about WWII and the events occurring in their country. The problem is, they repeat things to other characters that they should have already known. I get extremely annoyed when authors use characters as history teachers, i.e. they spout off facts or ask dumb questions that HISTORICALLY they would have already known the answer to. Here's an example, "Collette. Maman. The sentries. The ones that always march by the boulangerie at least twice a night to make sure we're all inside the bakery and not sneaking out to help the Resistance. They...." (pg. 6). Why not just send at "The sentries"? Because Marie-Therese and Collette should already know what Christophe is talking about, the author should be able to find another way to explain what German sentries do in Paris than just carelessly insert it in Christophe's dialogue. 'Oversharing' (as I call it) like this happens throughout the duration of the book. Another issue I had with this book is Collette. I'm not sure why the author even included her. If you read the back cover. you would think the story is told in alternating points of view or that at least Collette gets some story time. Nope. She's simply a vehicle for the mother to wax on and on about the dangers of dating outside the race. BUT WE LEARN NOTHING ABOUT COLLETTE. This infuriated me because she was mentioned all the time but I finished this book unable to even tell you the name of her Frenchman. It would have been nice catch a glimpse of their romance. Especially since it was never clear to me if they would have faced prejudice, my guess is no but that's based on other books I've read about the French treatment of Black people (see above reviews) I wouldn't be able to back that guess up based on only reading this book.

 Even though the book did a terrible job of presenting historical information, I loved the scenes at Glovia Johnson's house. She's a beautiful, wealthy, glamours, seductive Black American woman living in France and she hosts salons at her homes, both Blacks and whites visit her legendary salons. They seemed like a lot of fun and Glovia Johnson was my favorite character because she was at least interesting. The rest of the characters were spineless, except for Marie-Therese who had some backbone but was drab. Glovia Johnson literally plays the field, as in she bed with German soldiers and influential French people depending on whose in power in order to keep up her luxe lifestyle. She has little shame but that's ok because she's very sweet and clever. I do not want to just complain about the IQ, I also chose it because it provides a glimpse at how people viewed Black immigrants which was a perspective I found fascinating since it is rarely discussed. Immigrants from the Caribbean looked down on Black Africans as did white French, but the white Frenchmen(and women) loved Black Americans. "Marie Therese struggled to hide her nervousness. Her French had to be correct even though this American spoke with the most atrocious accent. That is, when the chanteuse bothered to speak French at all. Still, she was one of them, and all Paris loved that accent coming out of the mouths of America's black emigres. If only it were so for the Africans and West Indians" (pg. 11), sentences such as those made me appreciate the book a little bit more.

 Paris Noire does a service to the world of historical fiction (and books as a whole) because it talks about a time period that most people are very familiar with but offers a perspective that has not been explored. The lives of Black people in France before, during and after WWI all the way to the 1950s has always intrigued me since they faced so little discrimination. But this book points out that French love for Black people only extended to Americans. The book was very disappointing but I had high hopes for this book and that was part of the problem. Perhaps if my hopes had not been so high I would have liked it better as fluffy-tragic romance novel. Instead I expected some intense, lightly romantic, in-depth historical fiction. The fact that the character of Collette was completely ignored bothered me immensely as did the tendency of the author to have her characters speak awkward dialogue simply to provide historical information. I wish it had been about Glovia Johnson instead. It was just ok.

Disclosure: Bought

Mini Reviews: Harlem Redux, The Emperor of Ocean Park & Black Orchid Blues

Black Orchid Blues by Persia Walker 2011
Akashic Books

IQ "'You'll thank me later,' Jack-a-Lee said.
'Well, I'll certainly have something to say about it. That's for sure." Lanie pg. 207

Lanie Price is a 1920s Harlem society columnist for The Harlem Chronicle but previously she was a crime reporter. One night she is at the Cinnamon Club, the nightclub where the famous "Black Orchid" singer Queenie Lovetree performs but that particular night, Queenie is kidnapped. As hours pass after the kidnapping and no ransom note appears, more questions arise. Little is known about Queenie's past and Lanie is determined to dig into Queenie's history not just for a sensational story but to find a clue that can help Queenie.

I did not like that the author provided very little background on the characters, it's all about the mystery. It's a fine mystery to be sure, but I wanted to know more about Lanie Price's family; was she Harlem born-and-bred? Or did she move from the South? The North? How did she get the job she did? I had too many questions about the main character which is probably apt for a mystery novel but I didn't like it. To be fair, I just realized (while I was researching some info for this review) that this is the 2nd book in the Lanie Price Mystery series so perhaps if I had read the first book, Darkness and the Devil Behind Me I would not be so clueless about all the characters mentioned. The beginning held my attention and the ending was spectacular but the middle lagged and was the only thing that prevented me from finishing the book within a few days.


Black Orchid Blues is an excellent homage to the Harlem Renaissance and detective noir (not that I read a lot of them but I've seen a few of the films) with its historical detail and intriguing plot twists and turns. While I was not able to connect to any of the characters, I was thoroughly engaged in the mystery. It is clear that the author loves this time period and I absolutely ADORE this time period as well so I really appreciated that. I was pleasantly surprised by how deep the author delved into Harlem society, especially GLBT Harlem society. People were out and proud during this time and Harlem accepted them, in fact one of the biggest events in the book is the Fa**ts Ball. A party where the GLBT and straight community mingle in outrageous costumes. Lanie Price has an attitude but she (and the author) really understand people."I'd worked as a crime reporter, interviewing victims and thugs, cops and dirty judges. Then I'd moved to society reporting, where I wrote about cotillions and teas, parties and premieres. It seemed like a different crowd, but the one constant was the mendacity. People lied. Sometimes for no apparent reason, they obfuscated ,omitted or outright obliterated the truth. And often the first sign of an intention to lie was an unsolicited promise to tell the truth" (pg.11). Lanie is able to probe enough to discover what makes people tick and she does this in the case of the kidnapper whose identity and story were so unexpected that I automatically loved the ending, although the background of the kidnapper was horrifically heartbreaking. This book was also surprisingly gruesome, simple warning to those who don't like much detail about violent deaths. I very much enjoyed this book with its fast-pace, wonderful attention to historical detail and lesser-known facts cleverly interwoven into the text. I am eager to read the first book in the series and even more eager for the next book.

Disclosure: Bought from Better World Books (buy your books from them!)


The Emperor of Ocean Park by Stephen L. Carter 2002
Vintage Contemporaries/Random House

IQ "you think the world is made up of simple moral rules. You think there are just two kinds of people in the world, people who obey the rules and people who break them. You think you're so different from Uncle Oliver, but you're just like him. in some good ways, sure, but in some of the wars ways, too. You look down your nose at people you think are your moral inferiors. People like your brother. People like me." pg.270

I chose that quote because when I read it, I felt a pang because "you look down your nose at people you think are your moral inferiors" could have referred to me. This quote is very personal, it's to remind me not to be so hard on people.

Talcott (nickname Misha) Garland is a successful law professor at a prestigious Ivy League law school, he is married to a woman he loves and he adores his son above all else. The suspicious death of his father, Judge Oliver Garland, a former Supreme Court nominee who went down in flames, leads him to start digging through his close-lipped father's past. Talcott's sister thinks their father was murdered, Talcott's brother wants nothing to do with the family in general and Talcott's wife, Kimmer, does not want Talcott's meddling to hurt her chances of a federal judgeship. His investigation is causing him to be perilously close to losing one or all of the things he holds dear.

I think the author wanted to write a nonfiction book about the Black upper class and upper middle class. relationship I think the author also wanted to write a mystery novel. These two topics could have worked well together, unfortunately the author throws in way too many issues and touchy subjects and tries to stir them all together which only creates a befuddling mess. Racism, classism, politics, chess, Ivy League elitism, problems with the legal system, family secrets. These are just SOME of the things that are covered in The Emperor of Ocean Park and it made my head spin. I am willing to concede that I may not be smart enough for this book. I like a good mystery with elaborate twists but honestly you need a chart to keep track of all the clues and secrets being discovered. Props to the author for managing to keep it all straight, I certainly couldn't. At 654 pages of the main character attempting to solve a mystery AND ask big questions about life and deep issues, this book moves to slowly and is to long. I also was not a fan of the narrator. He is very introspective, I would dare say he reflects TOO MUCH. And I was so annoyed by how mysterious he was. A chapter would end with realization dawning on him but the next chapter would begin with nary a mention of what that grand realization was. He would mention it in passing many pages later and often I would have already forgotten about the discovery. I did not mind the slow beginning, at first I enjoyed reading Talcott's musings on life and watching the mystery develop. But his pondering grew old fast and there were too many false-endings. By the time I got to the actual ending, I rolled my eyes in disbelief because it seemed so random, as if the author realized that he needed to end the book so he picked a character that hadn't already been accused.


I like that everyone in this book has a secret and almost-everyone has broken in the law in some way which is amusing in its irony since most of the people in the book are connected to the legal profession. I am always fascinated by stories about upper middle class Blacks because they are so rarely portrayed in fiction, we have more than a few millionaires in real life and plenty of Black people are living comfortably so I would like to see that reflected on TV and in books. The author attempts to reveal this mysterious class; "the Gold coast party circuit, a circuit my parents traveled often, because it was, in those days, what one did: glittering dinner at one house on the Friday, champagne brunch at another on the Sunday, caterers, cooks, even temporary butlers at the ready as the best of black Washington charged about in mad imitation of white people's foolishness. Yet it was not, really, so mad. In the old days, my mother used to say, there was only a hundred black people who mattered in America, and they all knew each other. A bit of snobbery, but also an intriguing proposition. The social scene, so inexplicably wasteful and pretentious to its critics, refreshed and reinforced those who whirled through it, strengthening them to face another day, another week, another month, another year of expending their prodigious talents in a nation unprepared to reward them for their abilities" (pgs. 284-285). Sentences such as that kept my interest but this book took me a long time to read and truthfully it might be best to just give up on the mystery. This book is more about human failings, and ruminations on the problems with the late 20th-early 21st century.

Disclosure: A gift from my mother. We owned another, older copy, but she gave it away to one of my aunts. I was bummed because I wanted to read it so my mother kindly bought me my own copy.



Harlem Redux by Persia Walker
Simon&Schuster

IQ “Ev’rybody gets tested. And sooner or later ev’rybody fails. Discovers somethin’ ‘bout themselves they don’t wanna know. Ev’rybody’s got secrets, young man.” Annie pg. 261

David McKay left Harlem four years ago and except for the occasional letter to his sister Lillian, he never looked back. The McKays are a well-known, wealthy family living on Strivers Row in 1920s Harlem but it is a mystery as to why David gave all that up. He returns however after the suicide of his beloved sister. Much has changed since David left but some things remain the same, Lillian's twin sister Gem is typically, a no-show for anything family-related such as the funeral. But as Annie, the McKays long-time maid and Rachel, David's working class childhood sweetheart, fill David in on all that Lillian did not tell him in her letters over the years he realizes that Lillian could not have committed suicide. He also realizes to truly uncover all the family secrets, he must vanquish his own demons that drove him to stay away from home.

I didn’t like the omnipresent narrator and then the abrupt switch to third person. Sentences such as these “David felt Rachel tense.[….]He could tell that she wanted to speak up. She was biting her lip to keep silent. He took hold of Rachel’s hand and gave it a squeeze. Like most of the doctors, lawyers and educators who composed the bulk of Strivers’ Row residents, the Canfields were committed to doing everything they could to make sure that their street would not be sucked into the slum beyond. They had convinced themselves that they could provide a shining example to other blacks of how a winsome neighborhood could be maintained. [….] David, perhaps because he lived for so long among Philadelphia’s poor, understood what Emma could not.” (pg. 225) but then all of the sudden, it would switch back to omnipresent. The author clearly loves history and at times gets so caught up in expressing a variety of ideas that the characters tend to wax philosophically out loud or in their thoughts. But it presents a clearer, more entertaining portrait of Harlem in the 1920s. “They both dreamed of a day when Harlem artists would receive the same recognition, prizes, and contracts that white writers did. Lillian wanted to read books about well-bred, refined colored people. There was, she said, enough being written about the downside of Negro life, about the crime and the poverty. Someone had to tell the story of the educated colored people, too. Someone had to speak up for the Negroes who were doctors, lawyers, philosophers, professors” (pg. 42), the sad thing is these sentiments still ring true today, we still need those books about the Black people who are moving on up.

Harlem Redux is a most appropriate title for this book as it will introduce a new genration of readers to 1920s Harlem and greatly please those who already love studying the Harlem Renaissance. The book allows readers to rediscover Harlem and it is also about rediscovering old habits, old flames, buried secrets. The author has crafted an appealing group of characters that present a portrait of the diversity of 1920s Black Harlem Americans as well as Black Americans overall. David is a civil rights attorney in Philly but he also fought in World War I. I do wish more time had been spent on David's time overseas but the mystery grew to be satisfying. No book about wealthy Blacks would be complete without touching on our color issues and the author deftly handles the topic and shows once again, that she can dig deep and discover people's motivations and their breaking points. I was not expecting the ending but in retrospect it made sense and I had suspected one half of the surprise so I was pleased with my meager detective skills :)

Disclosure: From the library

Mini Reviews: Half of a Yellow Sun, Substitue Me, Till You Hear From Me

Till You Hear From Me by Pearl Cleage 2010
One World Books/Random House

"That was another thing he liked about Toni. She shared his ability to dismiss any claims of racial solidarity that conflicted with the interests of their clients. He thought of the two of them as part of the vanguard of post-racial African American professionals who were free at last to pimp the race without pretending they were trying to save it." Wes pg. 27

Ida B. Dunbar is a 30-something who loves politics. She poured her heart into President Obama's campaign and she's hoping that will pay off with a White House job. She never receives that phone call however and it doesn't help that her father, Rev. Horace Dunbar, a civil rights icon has a fiery, politically incorrect video up on YouTube that is not particularly flattening to say the least (think Jeremiah Wright). Ida's father's friends are concerned and they call her to ask her to come home to Atlanta's West End neighborhood to try and talk some sense into The Rev. Ida knows that it's a hopeless task but she decides that she might as well try while she hopes for a job in D.C., the city she loves. To her surprise, her old neighbor and son of her father's best friend, Wes Harper is also back in town. Ida had a crush on him as a kid but she hasn't seen him in years and he's shifty and it's well known that he isn't an Obama (or much of a Black-people) supporter. Ida needs to resist Wes, reconnect with her father and position herself to get the job she wants, but she needs to remember 'nothing changes but the changes.'

This book is advertised as an "Obama-era romance featuring a cast of unforgettable characters." The characters are good but they are forgettable except for Wes and that's merely because he's so ridiculously unlikable. The Incredible Quote resonated with me because there are many people who do think like that and to a certain extent I can understand why people do think that way. I do not believe we are in a post-racial society (well I don't agree with the statement at all but I'm not going to explain that here) but I had hoped that the author would have a less-biased approach towards Wes, Toni and any other characters like them. Instead the author makes them caricatures without really exploring what circumstances in their personal history makes them feel that they can/should 'pimp the race' so-to-speak. Also there is no romance. I don't even know where that came from but it's such a false advertisement. I didn't care, I picked up the book because it used the words "Obama-era" (I kid you not) and I had heard good things about Pearl Cleage. The most frustrating part of the boo however is that one of the most exciting confrontations occurs off the pages. To say I was annoyed is putting it mildly, this book crawls along but I had been anxiously awaiting the confrontation. And then it was basically ignored!

Till You Hear From Me has frustrating ending and a far-from neutral tone combined with slow pace which makes it hard to really like the book. I did enjoy reading about what it might be like to be the child of a civil rights legend and how that affects Ida's view of life. The Rev can be suffocating and very proud but he's also very loving and Ida is constantly inspired by him so it's interesting to read about her struggle to find a balance in their relationship so that The Rev no longer dominates her life. Also the author touches on discontent amongst some in the Black community who originally supported Pres. Obama but now want him to do more for Black people and her approach is more even concerning those characters. Fun fact: as much as The Poisonwood Bible annoyed me I was pleased that because of that book I knew who Fannie Lu Lumumba was named after (freedom fighter Patrice Lumumba of Congo). The storyline was original, the writing good but it did not wow me. The characters all resembled people I know so it felt like reading a book about the people I know all grown-up.

Disclosure: Bought

PS I did love this conversation between Flora and Ida

"'And I want to be part of that [changes in America] more than I ever wanted to be part of anything so that when I get old, I can look around and see the changes and say, Yeah I helped make that happen.'
We just sat there for a minute. I think I was talking to myself as much as I was talking to Flora.
'Well,' she said finally. 'I think you can stop worrying about looking for that real good man.'
'Why is that?'
'You just fell in love with your country, girlfriend, and nobody can compete with that." pg. 222 I LOVE that quote because I felt the same way right after then-Sen. Obama won the presidential campaign. It was definitely the moment I fell in love with my country (obviously I'd always loved America but this was the first conscious moment I remember really feeling proud).


Substitute Me by Lori Tharps 2010
Atria Paperback/Simon & Schuster

IQ "You make it sound like every White woman should be afraid that some Black hussy is going to seduce her husband. That's not what happened with Brad and me." Zora pg. 296

Zora Anderson is 30 years old and she has been an au pair in France for eight years. When she moves back to America she doesn't know what career she wants having not finished college because she wasn't interested in anything she studied. Fortunately for Zora she spots an ad for Brad and Kate Carter who are looking for a nanny, the exact wording that Mrs. Carter put in was "substitute me". As cliche as it sounds, Mrs. Carter will soon learn the very painful adage firsthand of being careful what you wish for especially when there are secrets in your household contained by every member of the family (except Ollie, the baby).

At first Zora sounded a little like me (or at least she had similar opportunities I have had and want to have, such as living in Europe or at least another country for awhile. We lost our connection whenever cooking was mentioned, haha) "she loved cooking, she loved traveling, and she liked kids. She liked feeling useful, and she liked being in beautiful spaces. She loved music and dancing and the taste of a foreign language rolling off her tongue. She loved reading literary fiction with multicultural characters and watching spoken-word poetry performances in intimate theaters. All of these things made her happy, but none of them fell under any job description she'd ever seen" (pg. 18). I could relate to that statement until I took a Comparative Government&Politics class and discovered I LOVE international politics so now I have a idea for a major (but of course that could change). So I was already fond of the book since I thought Zora was the embodiment of who I wanted to be. After reading the entire book I'm not so sure I would want her whole life but she gained some noteworthy experiences and while the route to her somewhat happy ending was rough, it wasn't depressing or anything. I wasn't enamored with the writing style, it didn't make me wince by being overly dramatic/too flowery but it didn't wow me with its beauty either. I was surprised at how long it took for the Brad&Zora storyline to take off and I didn't see it as a cliche since it's the first book I've ever read with a nanny/husband affair. while I was surprised by Kate and her friends, Brad was less surprising because I've met many liberal white people who can still be racially insensitive (unconsciously). He had a nice quote about love "[l]ove is such a crazy thing. Sometimes you can convince yourself it's not even real, that's just this elusive concept, yet when you fall in love, it can shake your world in ways you never dreamed possible" (pg. 319). It was bizarre to me as to why Kate disapproved so much about one of the career secrets Brad kept from her. I thought it was cute and nice that he got the chance to really follow his dreams.

I'm fairly naive when it comes to issues concerning working mothers and race relations and how competitive moms get over their kids. My mouth dropped open several times when conversations between Kate and Fiona (one of her white friends) were shared because they were so...not outrageously racist but very subtly prejudiced. I couldn't believe educated, so called 'modern' women still talked in a particular way. BUT I don't think the older generation would be that surprised. I also didn't realize mothers had such dilemmas about leaving their children with nannies. My mother has been working since I was born and I've never known anything else and I don't mind one bit. I felt a twang of sympathy for her if she agonized so much over her decision to leave my siblings and I with a babysitter. Working moms as a kid whose mom has always worked (still does), your kids will turn out fine and no they won't hold it against you (honestly I wouldn't like it if my mom was super-involved in my life, ugh). Anyway I digress, this book seems like an obvious bookclub pick because it addresses very accessible, universal issues. I really appreciated (and chuckled) over how often Zora bemoans how cliche her story is and she reiterates over and over that she wants to be more than just "Mammy". It sort of reminded me of all The Help controversy about Black women once again being regulated to "Mammy" roles/characterizations. To me she seemed to hint at the fact that there's nothing wrong with being nanny if you love being one and are treated with respect.

Disclosure: Bought from my closing Borders. Check out the AALit section people!

PS Fun tidbit: This story takes place in Fort Greene, Brooklyn. When I was in NYC I had lunch at an amazing Thai place in Fort Greene with Zetta Elliott, Lyn Miller Lachmann and Olugbemisola Rhuday Perkovich. It was a great lunch and much too short.

Half a Yellow Sun by Chimamanda Ngozi Adichie 2006
Anchor Books/Random House

IQ "The rawness of Edna's grief made her helpless, brought the urge to stretch her hand in the past and reverse history. Finally, Edna fell asleep. Olanna gently placed a pillow beneath her head and sat thinking about how a single act could reverberate over time and space and leave stains that could never be washed off. She thought about how ephemeral life was about not choosing misery." pg. 306

Set during the late 1960s during a tumultuous time in Nigeria's history; a time when the southwestern region of Biafra wanted to be independent from the rest of Nigeria. Through the characters of Ugwu a thirteen-year old houseboy, Richard a young Englishman in love with Kainene a dynamic woman from a wealthy Nigerian family, Olanna the beautiful twin sister of Kainene and Odenigbo, a revolutionary university professor who is dating Olanna, the war is brought to light from various perspectives.

Now here is a book that defines the word EPIC. At first I was impatient for the war to begin, but gradually I relaxed and soaked up all the conversations. I'm always fondly jealous when in books the characters attend not just parties but also gatherings where they discuss politics openly, this is quite a common theme when I read books not set in America. I don't think you can do that in the United States nowadays, it can be too violate, we've lost too much civility to be able to calmly discuss international affairs and domestic politics. Half a Yellow Sun is no exception, Olanna & Odenigbo host gatherings of intellectuals who are not all like minded but they are polite and their discussions range from politics to literature to religion but always come back to politics. These discussions create an opening for the author to showcase the various viewpoints of secondary characters who will remain relevant throughout the entirety of the novel. My favorite character was Kainene because she was so hard to read (pun intended). She was so cold towards other people and so difficult to understand but I loved her passion, her commitment to helping people throughout the world. Her ending made me very sad because I grown quite fond of her and Richard but their endings suit them and I can't always say that I feel that way after reading another book where the same end meets the characters but this book is different. Plus if you like romance this book is chockful of lovely (and harrowing) romantic tidbits.

I would be able to honestly use the word epic to describe this novel because while it is surrounded by grand, sweeping events, it is filled with small moments that if you blink you might miss the importance to the characters. For example, I might have overlooked the following quote had I not studied Nigeria in my Comparative Government & Politics class "but my point is that the only authentic identity for the African is the tribe,' Master said. 'I am Nigerian because a white man created Nigeria and gave me that identity. I am black because the white man constructed black to be as different as possible from his white. But I was Igbo before the white man came'" (pg. 25). From my class I knew that many Nigerians identify themselves by their tribe first, country second. Although some of my Nigerian friends say that is changing, their parents identify themselves first by tribe then Nigeria, but they (the younger generation) are content with simply calling themselves Nigerian. A small quote in the context of a longer discussion that I might not have picked up but it's an example of how careless the imperialistic powers were upon leaving Africa, just throwing together tribes with no thought to their warring history. Half A Yellow Sun is an epic and epic itself. The story does not take place across generations but it does span several years while managing to never lose the reader. It's epic because it completely immerses the reader in Nigerian culture as a whole but specifically in Igbo culture, it had me walking away thinking of words in Igbo (such as "biko" a term of endearment). There were also tiny bursts of feminism such as when Olanna resolutely decides after being cheated on that "[s]he would not let him make her feel that there was something wrong with her. It was her right to be upset, her right to choose not to brush her humiliation aside in the name of an overexalted intellectualism, and she would claim that right" (pg. 129). A mini review cannot do this book justice I don't think but I'll try in a sentence: Enrapturing tale with dynamic characters of various temperaments from various backgrounds, dense without being overwhelming. I loved Purple Hibiscus but I wouldn't want to re-read it, I would re-read Half A Yellow Sun.


Disclosure: As a sign that my mother does indeed love me she bought me this book (heehee)

Mini Reviews: Drown, Douglass' Women, Rooftops of Tehran

Drown by Junot Diaz 1996
Riverhead Books/Penguin

IQ "We sat and drank and finally talked, two strangers reliving an event-a whirlwind, a comet, a war-we'd both seen but from different faraway angles." pgs. 206-207 [referring to Yunior meeting his father's mistress]

The author's debut, a collection of ten short stories concerning Yunior, his brother Rafa and his family. The story takes place in the campo and barrios of the Dominican Republic and the city communities of New Jersey.

I love The Brief Wondrous Life of Oscar Wao (the author's second book), I don't love Drown, I'm just in like, tentative like. I did not like the confusing narration, at first I couldn't figure out that the story was being told by the same guy, Yunior because he's not always referred to by name. Since the story takes place in both the D.R. and New Jersey and there's no sense of time, it's also difficult to figure out how old Yunior is. There is no clear continuity so I was left wondering about what happened to the rest of Yunior's messed up (aren't they all?) family. In fact, I can't even say for sure if it was all about Yunior, maybe it wasn't but I'm going to continue thinking it was until someone helpfully explains otherwise. Yunior's father is a jerk, he abandons his family in the D.R. to head to America and then remarries. But hold your judgement because by the end of the book, I understood this lost father a little bit better. Still don't like him, but I understand him, sorta.

The stories in Drown are gritty, genuine and riveting. The entire cast of characters is hardened beyond their years both cynical and aching for the American Dream as well as to be loved. The irony is that they all push love away and some of them throw away the opportunities America offers them. But it's not entirely their fault, as usual there is a distinctive gray area concerning the perils of following the American Dream and the gifts that America can give. These stories are confusing and sometimes the characters are perplexing but they are memorable. I liked the author's confined prose, it is both frustrating and delightful, he manages to create such realistic scenes and characters in so few words that it's stunning. He has a unique way of describing people and things such as "Outside, Mami said, her voice a murder about to happen" (pg. 79). I practically started quaking when I read that line. I could hear the cadence of voices, not just the Spanish accents but also the accents of those from Santo Domingo and those who live in the city, the pain, toughness and vulnerability rings clearly. And I love that he doesn't translate his Spanish or even highlight the words so you know it's Spanish, it's just there y no es un problema.

Disclosure: From the library

Douglass' Women by Jewell Parker Rhodes 2002
Washington Square Press/Simon & Schuster

IQ "Not seeing my color was the same as seeing it." Ottilie pg. 194

Frederick Douglass was a brilliant man, an extraordinary orator and abolitionist, he was most ordinary however when it came to love and passion. He married Anna Murray Douglass, a free Black woman who helped him escape from slavery. He had an affair with Ottilie Assing, a German woman (who was half-Jewish), she helped keep him organized as he spoke across America and later Europe. Anna and Freddy had five children. Ottilie and Douglass had none. This is the story of two very different woman and their love for the same man.

The author states that her goal is not to diminish Frederick Douglass with this book, only to show that he was human. She succeeds in doing just that, but I admit I lost some respect for him as a person based on how he treated both women (but especially Anna) and his children. Anna and Ottilie are so different. Anna keeps the family whole, she cleans the house, feeds the children and makes sure Frederick (or Freddy as she calls him although he doesn't always like it) feels comfortable. She is very religious and would have been content if Frederick had simply become a Preacher. Anna has no real desire to learn to read and write, she only agrees to lessons so that Freddy will stop badgering her about her inability to read but Anna ends up never becoming literate. That is part of the reason Frederick turns to Ottilie who is more of his equal intellectually. With Ottilie, Douglass (Ottilie called him Herr Douglass for awhile and then affectionately just called him Douglass) could discuss politics, literature, art, philosophy, anything that came to mind. I had a hard time understanding why Anna wouldn't want to learn to read and write but I closed this book with a better understanding of why she was happy with who she was and I admired her for her spirit. Ottilie was young, slender, blonde. Anna was older than Frederick, curvy, black. Frederick insulted Anna by having an affair with another woman but he added insult to injury by giving Ottilie a room in his home, but Anna had her own way of asserting her quiet dominance over her home. Douglass was never physical (well one time but that was the only time noted in the book) but he was self-centered and a snob (it is fascinating how once Black people reached the upper class they forgot their roots, even our great abolitionists. Mr. Douglass fought avidly to free all slaves but he did not want his children marrying former slaves). Anna's view of love made me sad "I'd let him go 'cause it was best, Best for him. Worse for me. Ain't that love?" (pg. 38), to me that is love sometimes but not ALL the time. Plus it should be mutual, Frederick never did what was worst for him but better for Anna.

In Douglass' Women the author does a skillful job of showing not just the physical differences between Anna and Ottilie but their different views on home, Douglass/Freddy and love. Neither woman is judged by the author, both their stories are presented in a neutral tone, and both women have somewhat just claims on Frederick, who is both oblivious and blithely ignorant to all the pain he has caused. I like how the women never became friends, because while it is based on two very real people the author could have tried to make the story happier, instead she makes them grudgingly accepting of one another which is more authentic. The alternating points of view works well for this novel, but I do wish a timeline had been kept. I like being able to think about what other events were occurring around the world during the time this story took place (although any event pertaining to slavery was carefully noted through dialogue). I now want to know Frederick Douglass' side of the story (and to learn more about his eldest daughter, Rosetta Douglass, she seems like an exceptional woman). More than anything else this book taught me, it emphasized that love really makes no sense because although Douglass was a less than ideal family man and lover, Anna and Ottilie still loved and admired his noble bearing, his courage, and his intelligence. The funny thing is, I still do too. But they both should have left him and started a new life.

Disclosure: Received to giveaway as a prize for the POC Reading Challenge. Thank you so much Ms. Rhodes!

Rooftops of Tehran by Mahbod Seraji 2009

New American Library/Penguin Group

IQ "Has anyone ever told you that you have That?' I [Pasha] must look thoroughly confused. 'You've never heard of That?' he asks, surprised.
I shake my head no.
'It's a priceless quality that's impossible to define, really,' he explains, 'but you recognize it in the actions of great people.'" Doctor pg. 29

It's the summer of 1973 and Pasha is seventeen years old, spending most of his time chatting on his rooftop with his best friend, Ahmed. Pasha and Ahmed's conversations range from reflective to hysterical, discussing life, love and cruel teachers. Gradually love begins to be the main focus of their conversations. Ahmed has fallen in love with Faheemeh, who is engaged to another man. Pasha is secretly in love with Zari, engaged to Pasha's dear friend, Doctor. Zari is Pasha's neighbor and has been engaged to Doctor since birth. Zari and Pasha slowly become friends since Doctor is away so often and that doesn't make it any easier for Pasha to stop loving Zari. Summer flies by and wonderful memories are created until one night, the shah's SAVAK (secret police) appear to arrest a loved one and Pasha unknowingly helps them make the arrest. Pasha, Ahmed, Zari and Faheemeh are rudely awakened to life under a dictator who cares little about crushing his people's rights and Zari makes a shocking choice that may have broken Pasha forever.

I couldn't decide at first if this book was YA or adult, but I ended up classifying it as adult since the imprint the book was published under isn't YA. Plus Pasha seemed more like a vehicle for the author to use in order to express his views. Pasha seemed more mature than the average seventeen-year old guy, but maybe American male teenagers are just less mature than male teenagers in other countries? Obviously there are exceptions to that rule but I had a hard time believing Pasha was a teenager in high school. Especially when he's using extremely eloquent, flowery language such as "life was a random series of beautifully composed vignettes, loosely tied together by a string of characters and time." (pg. 4) I didn't like the Doctor storyline. I admire Doctor but I never got the feeling that Zari really loved him thus her devastating choice was harder to understand. The ending was satisfactory, there are some loose ends but such is life and there is supposedly a sequel being written which I would definitely read. Zari's choice is probably one of the best climaxes in a book I've ever read, it was unexpected and horrific. I honestly don't think any Westerner unfamiliar with the Middle East could see it coming. The book opens with Pasha in a mental hospital in 1974 and I flew through the book in an effort to discover why he was there. The most depressing part of the whole book is knowing that the Shah remains in power until 1979, Pasha and his friends must endure about five more years of his harsh rule. Granted, the Shah tried to do some good things (modernizing Iran) but his awful record on human rights makes his efforts inexcusable.

This book provides a through view of life in one middle-class neighborhood in Tehran. Pasha is a voracious reader and it's both amusing and bemusing to read some of things he and his friends think about the U.S. His observations allow readers to compare the daily life of Iranians to daily life here, and things we take for granted, not just with amenities and freedoms but things like falling in love. "I read somewhere that people in the West, like in the U.S. and Europe, date for a long time before falling in love,' I say, restless with anxiety. [...]'But here in Iran, we look at someone, and we fall in love. All the girl has to do is smile, and we're swept off our feet. No dating, no getting to know each other, no real opportunity to get acquainted, do you know what I mean?'" (pgs.56-57) More than anything, the point is really reinforced that Iranians will bitter for quite some time at the U.S. for being STUPID enough to reinstate the Shah. Personally, I think it's one of our worst foreign policy blunders. In addition to the cultural tidbits, the book has the BEST best friend I've ever come across. I want an Ahmed in my life. He's gallant, rebellious tender and absolutely hilarious. I offer you a teaser "You're a good dancer', Faheemeh compliments him. [Ahmed]

'I had dance lessons from Tennessee Williams himself.'

'Tennessee Williams was not a dancer,' I [Pasha] argue.

'I tried to tell Tennessee that, but he wouldn't hear of it'" Ahmed (pg. 67). I giggled at that line and any other time Ahmed opened his mouth. He's the type of friend that tries to make Pasha laugh through his tears and he avoids uncomfortable topics because he knows that he's basically the glue that keeps everyone together. If Ahmed cried, they would all be done. And there's lots of tears, Iranians mourn for a long time and in an elaborate, open, manner. They wail, tear at their clothes, etc. The author brings this vividly to life along with other elements of Iranian culture but at the heart of this novel is the painful, but oh-so-worth-it aspect of first love. I would recommend this to those who've fallen in love, are transfixed by the Middle East/Iran or just looking for a historical fiction romantic tragedy. But honestly, I'd recommend it to everyone, especially since we need to recognize and respect those who have That.

Disclosure: From the library

Mini Reviews: In Full Bloom, The Ice Cream Girls, and The World in Half

The Ice Cream Girls by Dorothy Koomson 2010
Sphere/Hachette Book Group

IQ "Silence is the best way forward, I've found. I do not have to say anything, at least I didn't the last few times I was arrested, and I'm going to exercise that right. Even if it makes me look as guilty as sin, I'd rather not say anything that can't be taken back. Silence can always be explained away, erased almost with a single world; the wrong words in the wrong combination at the wrong time can damn you to hell. Or, at least, to prison." Serena pg. 48

When Poppy Carlisle and Serena Gorringe were teenagers they were the sole witnesses to a tragic event that ended in death. The death of a male, relatively young, teacher who told both girls he was in love with them. The teacher (Marcus) quickly became abusive both physically and emotionally. After his death the girls were discovered to have been the last ones to see him alive and they are nicknamed "The Ice Cream Girls" after a racy photo of them licking ice cream is discovered by the press. Poppy is found guilty and spends years in jail, Serena is the happily married mother of two. Poppy is determined to make Serena confess because she's convinced Serena killed Marcus. Serena does not want her family to know about her past, she changed her name to avoid that very thing but she knows she didn't do it and she wants Poppy to leave her alone. Ultimately both of them just want to forget their past and move on.

I really did not like reading this book. As an American I found it hard to believe because the press, in fact the whole case was ridiculous. I'm no expert on the American justice system but USUALLY what happens over here is in a case where an adult is sleeping with a teenager (minor), it's considered rape. People do not immediately jump to the conclusion that the teenager SEDUCED the GROWN MAN/WOMAN. And yet that is exactly what happens in The Ice Cream Girls. The press is slimy and the courts are insanely harsh, judges and jury members being rude and just plain unprofessional. I was so angry at how unfairly the girls were treated that I really couldn't see much past that. I did however take note of how engaging the plot was and that it was so difficult to choose who killed Marcus, Serena or Poppy. Likewise my sympathies lay with different characters at different times, I was equally angry with them both but I closed the book admiring both girls for finally saying NO to Marcus in the past and in their present (he haunts both of them). The girls recall the events from 1987-1989 during which they met Marcus, 'fell in love' with him and were severely hurt by him, he kept them terrified of telling their family, friends, etc about him. These recollections back to the past however were choppy, it was never clear when the narration of past events ended and the present day started (their was a date that showed what year it was for the past but not the present).

The Ice Cream Girls is a chilling tale because it's so real, because there are so many women in situations where they are victims of domestic abuse because there are so many women who don't see a way out. THERE IS A WAY OUT and while this book takes a bit of an extreme approach, the lessons are extremely relevant and I really hope this book left an impact on the right people. Both girls were fifteen when Marcus took advantage of them, at first he didn't force himself on them but he paid attention to them. A handsome older man being nice to two young girls who were vulnerable. Of course they would think they were in love with them and then be too afraid to leave. This situation is sadly real, my only hope is that if anyone ends up in the same spot and takes the same way out, the press and the courts are much more sympathetic. The parents too, that was probably the second most painful thing to read about, the parents believing their daughters were killers and being unable to forgive them. I understand too that the author was just presenting the facts about the UK newspapers, tabloids and legal system but these facts ruined my enjoyment of the story. But the author tells a good story, one that is sad and yet hopeful, a fast-paced tale that will haunt you. I hope the next book I read by the author is much lighter but just as intriguing.

Disclosure: From Tricia, thank you =)

PS I really liked this quote from Poppy as well the imagery is well portrayed "Bella slips her hand in mine and Logan wraps his arms around my shoulders and we head back into the house, so close that every step we take is a step in time, a step that sews up the years we were apart, pulling the seams together until they can barely be seen, and we can pretend that they never really existed." (Poppy, pg. 455). Oh and Serena is Black, Poppy white, just a FYI.


The World in Half by Cristina Henriquez 2009
Riverhead Books/Penguin


IQ "It's more Spanish than I've ever spoken with anyone. But with limitations comes freedom. I don't have the luxury of relying on the automatic expressions I have at my disposal when I'm speaking in English. There's no default mode of communication, few standby phrases and ready-made sayings. I have to think about how to express myself. I have to be creative and take roundabout routes to get across what I want to convey. Which means that I say things I never would in English. Ideas occur to me in ways they never have before." Miraflores pg. 153

Miraflores doesn't know her Panamanian father, her mother raised her in their suburban Chicago home and never mentioned him. Mira always assumed her father didn't want to know her after all she was the product of an affair her mother had while married and stationed to her then husband in Panama. Her perspective changes however when she returns from college to take care of her mother who has succumbed to Alzheimer's disease. Upon her return home she discovers letters from her father to her mother, showing the great devotion her father had to her mother and his NEED to know his baby girl. Miraflores decides to travel to Panama to find her father who she hopes will want to meet her and can even fill in some of the missing pieces of herself. She tells her mother she is going to Washington to study volcanoes, and heads off to find herself and in the process learns not just about herself, but also about her parents, Danilo and her country.

I am completely biased in my love for this book. I am unapologetic about the fact that this is one of my favorite books of the year. First I'm biased because Miraflores is half Panamanian as am I. Then her mother is diagnosed with Alzheimer's, a disease my grandfather had. Coincidence? I don't believe in them but it was very cool to read about. Plus the feelings Mira describes upon visiting Panama and wanting to belong to that country as well as the culture shock are feelings I could relate to as someone who is half-non American (haha I don't know the proper term for it, I would have said half Panamanian but I think anyone who is half something not American can relate especially well to Mira's thoughts) as well as because I had just returned from Guatemala, which reminded me a bit of Panama. "The first thing I notice when I get off the plane is what relief it is to hear English again, to understand immediately everything someone says, to eavesdrop without concentrating, to decipher signs at a glance. I'm struck, too, by how contained everything is: lanes of traffic are perfectly orderly, grass grows in even plots, trees thrive in mounds of mulch, building faces are austere. The air smells cleaner." (pg. 260). How did she (she meaning the author) know? Haha this is precisely what I was thinking when I returned from Guatemala except I didn't notice the change in how the air smelled, although now that I think about it, I don't smell water like I did in Guatemala (the town we lived in was next to a lake). It was a shock to land in the Atlanta airport and not immediately try to start grasping for words in Spanish (I was once again accustomed to all things American by the time we arrived in Chicago). That's why I chose that Incredible Quote because I could identify so deeply with it. Trying to express yourself in another language can be excruciating because if you have to choose your words with great care and I found that it wasn't always easy to get my point across but everyone I met in Guatemala was so patient with my broken Spanish. Furthermore, anyone who has ever visited or wants to visit the country where their heritage lies or just wants to be acknowledged as having a claim on their heritage must be able to relate to the following "I'm not sure why, but I want them to know that. I want them to know that I'm not just any tourist visiting their country, that I have a claim to this place and a reason for being here, that I belong to them, at least a little bit. I wonder whether, or how, they treat me differently if they knew" (pg. 34).

The World in Half got me out of my reading rut. I was bored with what I'd been reading at worst unimpressed at best. The World in Half made me remember why I love books so much, because of the personal connections, because of their ability to transport a reader around the world. The writing flows, the characters are solid and the setting is as real and memorable as the Earth itself(heehee cheesy geological references). I cried while reading this book which is rare for me. Not just because of the Alzheimer's but also because I really understood romantic love, reading Gatun's letters to Catarina's mom....I'm speechless. They were the most heartbreaking, passionate, sweetest love letters I've ever read (not that I've read any in real life just in books but whatever). Miraflores is the name of the locks of the Panama canal, Gatun is another name for the locks and also the name of her father. I thought that was really sweet and a bit clever of Mira's mother, it was one of the few things that made me like her because for the most part I was resentful towards Mira's mother (I was making up for Mira's refusal to get truly upset at her mother which was both loving and frustrating). While Mira's mother irked me she also brought me to tears. Or at least the author did. Having seen fairly firsthand the effects Alzheimer's has on people (I believe my grandfather died from its effects, I'm not 100% sure because I don't want to ask, too painful) I could painfully relate to everything Mira described about the memory loss, and the fear she felt as she watched her mother forget basic, small things. While the parts featuring Mira's mother were sad, I enjoyed every minute Miraa (and I, the reader) spent with Danilo, a guy her age who sold flowers outside her hotel and was the nephew of the doorkeeper, Hernan. Danilo only spoke Spanish but Mira's Spanish is excellent so they didn't have a problem communicating (I'm jealous), he helps her search for her father. I'll let Mira explain the effect of Danilo on her "he teases me, fishing me out of myself, casting and recasting his line, tugging gently, holding on tight, reeling until he dredges up something real. I love his inclination for rebellion and how flippantly he uses language, as if words are something to be tossed around like confetti rather than laid out like a stone path" (pg. 154). Speaking of words, this author has quite an exceptional way with them as I think is exemplified in that quote. I also loved her connections to geology, which is what Mira is studying in college. Sometimes Mira states the 'obvious' connection between her life's events and geological terms/events, other times the author leaves it up to the reader to draw the connection. It's always fun to read about a country you have ties to, especially a country that is rarely written about. Every time Danilo or another character said something about Panama, I would ask my dad if he thought that was true or knew what they were talking about. Sometimes he agreed (Panama La Vieja is what tourists call Panama Viejo), other times he didn't (he'd never heard of Que xopa instead of Que pasa, a phrase I'm curious about. Anyone use it?). I love love love this book, my only regret is that I didn't buy it (which will have to be remedied because it's going to be my unofficial Panama guidebook). I've left so much out of this review but it is adult fiction and my rule on that is only a mini-review so I'm going to try and stop gushing (I already did on Twitter :D)

Disclosure: From the library. For me it's a must-buy.


In Full Bloom by Caroline Hwang 2003
Dutton/Penguin Group

IQ "I wasn't vehement American Ginger and I wasn't traditional Korean Lee. I was the collision of the names-the accidental adverb resulting from the clash of two worlds, gingerly, how I was meant to go through life. I was the space in between the names. I occupied the shirt pause between them, the breach between the two states, like a ghost who was neither alive nor sufficiently dead." Ginger pg. 99


Ginger Lee has moved to New York in order to further her career, to be someone. Not to be with someone, a Korean someone, which is what her mother wants. Her mother wants Ginger to put marriage before her career and she moves in with Ginger for three weeks to find her a suitable husband. Ginger goes along with it, vowing to sabotage her mother's dates and work harder to win a promotion at A la Mode fashion magazine. At 27 years old, Ginger is considered too old to be merely a fashion assistant and her mother is constantly telling her that her bloom is fading. To Ginger's bemusement, the Korean men her mother sets her up with reject Ginger before she can reject them and her mother's career advice may actually be worth listening to...


Ginger claims she wants complete independence from her mother, but it's easy to see that she's very dependent on her. She admires her mother and is more forgiving of her mother's actions than others might be, but it also sounds like Ginger's mom is not the traditional strict Korean mother. Ginger's mother disowned Ginger's brother, George after he married a white American woman and so Ginger is all she has left. She is determined to see Ginger marry a Korean man and is convinced Ginger needs her help to 'get a man.' (unbeknownst to her Ginger dated throughout college and grad school, just not Korean men). In describing her mother Ginger says"It was really something how in less than a week she'd leapt from coercing me to look for her future son-in-law to saying she wanted a namesake. Such great strides in so little time. It was a shame she wasn't involved in a greater, less hopeless cause than her daughter, like world hunger or female illiteracy." (pg. 69). I liked Ginger's narration, she was determined to be a feminist, but sometimes it backfired on her. She narrates her life story with a good sense of humor and it's touching how she's so willing to go along with whatever her mom wants while still engaging in small acts of rebellion.


In Full Bloom is a surprising, much-needed (says the non-chick lit expert) addition to the chick lit canon. I was really happy with the ending because I thought it was most unusual. I was also pleasantly surprised by the fact that homophobia was brought up and when Ginger tells off a certain someone for assuming she and all her Asians are 'the help' it's a fabulous moment. I especially appreciated that Ginger's mother does not fall prey to the immigrant mother stereotype. Perhaps the best part is when Ginger realizes that she's prejudiced against Koreans, I think many people of color and immigrants are reluctant to acknowledge that they look down on their culture at times or are too eager to forget where they came from. A charming, merry tale with an unconventional ending and a diverse cast.


Disclosure: Library

*I do mini-reviews of all adult fiction books I read and want to review.

Mini Reviews: Logic of Demons (off color), Better Than I Know Myself & The Buddha of Suburbia

Logic of Demons: The Quest for Nadine's Soul by H. A. Goodman 2010

IQ "It's not what you've been doing that's important now', said Natalia grabbing his hand once again. 'It's what you will be doing.'" pg. 129

Devin's wife and unborn child have been killed by a 'deranged' man (who also raped Devin's wife). Devin is determined to exact revenge and successful kills the man who murdered his family. Devin is then killed accidentally by the police and has to deal with the consequences of his life in the afterlife.

This book has a message to tell and it must be told. That's not a good thing because this book is so concerned with making sure it gets it's various messages across, the plot disappears. Revenge is bad, be careful what you wish for, don't make fun of other people, every action has a consequence, etc, etc. Interesting messages to be sure but they are so straight forward that the author would have been better off leaving out Devin, Nadine and Natalia and just writing a non-fiction about religion and life in general. The author does a whole lot of telling, and much of it is unnecessary. Allowing the reader to draw their own conclusions is a marvelous thing and the author does not utilize this skill. Furthermore the author seems like he's trying to hard to make sure people know his novel is diverse. At one point we read "the stockier football player dwarfed the 140-pound Jewish kid."(pg. 105). That sentence had no relevance to the story (in fact I didn't understand the point of seeing Devin as a teenager which occurs in this scene), especially because later on the kid talks about his yarmulke. From that sentence alone, a reader could figure out the kid is Jewish. But it doesn't seem as though the author trusted the reader to draw their own conclusions, thus the overcompensation.

It's obvious that the author feels very passionately about what he's writing about and I liked the diversity of the characters but there are too many inconsistencies, stilted dialogue and slow action. The chapters are long and end dramatically such as "[t]he answer to this question would lead to a multitude of unintended consequences." (pg. 32). That's overly dramatic and I don't like ominous foreshadowing. At one point in the novel, Natalia (an angel) is said to have "the charming English accent of a Kenyan." (pg. 95) but then on page 107, the author tells us she's from Rwanda. She never leaves Rwanda so how does she have a Kenyan accent? Or was the author trying to show that Devin just assumed things? It was too unclear. The ideas the author has surrounding the afterlife are intriguing (God is absent until the end of the world, angels vs. demons vs. Paladin), but unfortunately there were too many flaws for me to simply overlook.

Disclosure: Received for review from author. Thank you!

PS Off color because the main character is white but Nadine is Latina and Natalia is from Rwanda, two important secondary characters.

Better Than I Know Myself by Virginia Deberry & Donna Grant 2004
St. Martin's Press

IQ "at this point in their friendship, the method of communication wasn't relevant, they were connected whether it was across a table, via email or by string and a Dixie cup." pg. 359

Carmen grew up in the projects, raised by her abusive brother after her father died and her mother left. Jewell is a former Hollywood-child starlet. Even today her face is still recognized across America. Regina is a BAP (Black American Princess) raised comfortably by her upper middle class father and mother. They meet at Barnard (Columbia's university for women, I didn't know as recently as the '80s Columbia hadn't gone co-ed!) and while Jewell and Regina hit it off right away, Carmen remains closed off and icy. Carmen wants to ace all her classes, keep her head down, become a doctor and never look back at her crappy childhood. Jewell doesn't know what she wants to do and Regina loves throwing parties. Life is going to be full of bumps, bruises and joyrides but through it all, they've got each other.

This book starts off with a good prologue, one that will keep you reading even when the book inches by. In the prologue, one of the three friends has died. For the first time in what feels like forever, I actually predicted right (although I didn't see the Marcus plotline!). And there are absolutely no clues because all three girls constantly face life or death situations and get themselves into some serious scrapes. I do wish the Deberry & Grant books were less dramatic. Yes life is hard but would one person really go through as much as the characters do? It's more than a little over the top and after awhile I was sick and tired of the tragedy, I was emotionally drained and not in a good way. And this is a more personal thing but I picked up this book hoping it would discuss more about being and in college. Didn't happen but that was just as a result of different expectations, not a big deal.

However, once again there is a really strong friendship between this three women and that makes me happy. It takes a little while for them all to become friends (yes sometimes future-friends don't hit it off right away!) but that makes the end product that much better. There are also discussions of class that aren't so obvious. All three girls come from different socioeconomic backgrounds and that does affect their outlook on life but so do their parent situations and other things they went through going up. Just like being Black doesn't define them, neither does being rich/poor/middle class. I wish there were lighter moments and some chapters could have been greatly whittled down but all in all this was a nice read about the strongest of friendships and living life to the fullest because "it's not like we don't have to think about tomorrow but a life is something you build-and the tomorrows won't add up to much if we haven't been countin the todays." (Ty, pg. 367)

Disclosure: Bought :)

The Buddha of Suburbia by Hanif Kureishi 1990

Faber & Faber LTD

IQ "I believe happiness is only possible if you follow your own feeling, your intuition, your real desires. Only unhappiness is gained by acting in accordance with duty, or obligation, or guilt, or the desire to please others. You must accept happiness when you can, not selfishly, but remembering you are a part of the world, of others, not separate from them. Should people pursue their own happiness at the expense of others? Or should they be unhappy so others can be happy? There's no one who hasn't had to confront this problem." The Buddha of Suburbia (aka Karim's dad aka God) pg. 76

Karim is a bicultural (half Indian on his father's side, half English on his mother's) teenager growing up in the suburbs of south London during the '70s. He's desperate to escape to London and find himself, while figuring out why his father left his mother, and why he is attracted to girls and guys. furthermore how did his father became the 'buddha of suburbia' a
wise 'Indian' mystic to bored subrbanites looking for something 'exoctic.'? And what is Karim going to do after high school (or secondary school as I believe it's called in the UK?)

Karim is a strange kid but amusing. He doesn't intend to be funny but his reasoning behind his actions and speculation as to why people act the way they do are sometimes way off (or so it seems. I suspect since this is a literary book everything probably could have some kind of deep meaning) but sometimes they are dead-on. The book starts off rather slowly but if you stick with it, you may very well end up enjoying it. I liked it a lot more than I thought I would, mainly because as an American I know very little about life in the UK but I just finished studing the UK for my Comparative Government class so I had some background/cultural context. This book makes it clear that in London at least (and I suspect the entire UK), class comes first, followed by race as divisions in society. While I can't test to the authenticity of the novel's London setting (although it won the WhiteBread Award, ha ironic name), it felt very real to me and I was impressed with how the author described the UK (specifically England) through his characters in both subtle and non subtle ways. "England's decrepit. No one believes in anything. Here, it's money and success. But people are motivated. They do things. England's a nice place if you're rich, but otherwise it's a f***ing swamp pf prejudice, class confusion, the whole thing. nothing works over there. And no one works-" (Charlie, pg. 256). The novel takes place when unemployment is on the rise and there are widespread strikes. Margaret Thatcher will soon come to power, after the Winter of Discontent.

Class differences are also shown through the adults in Karim's life. Karim's dad, Haroon is a civil servant and he hates his job, he comes from a wealthy family in India and doesn't know how to take care of himself. Yet in England, he is seen as a second-class citizen because he is a lowly servant AND Indian. The woman Haroon leaves his wife (and Karim's mum) for, Eva, is a social climber. I have no idea where she gets her money from but she is able to spend it on idle pursuits, like parading around the buddha of suburbia and trying to find her place in London society. Karim's mother is devastated after his father leaves and she doesn't handle it well. She doesn't want to leave the house and when she finally does, she has no desire to work. When she finally starts dating again, more than one person notes that she's dating an Englishman and Karim 'feels somewhat betrayed' that she's not dating another Indian. I was puzzled as to why Karim had a brother, Allie. I forgot all about him because he appears so infrequently, he should have been written off. I admit, I would put this book down and then find it hard to get back into the story. Gradually, it picks up and just like Karim never stops talking, this book has something to say about everything; from class differences, divorce, and racism to life in the suburbs and being bi-sexual. Karim is a class-A jerk and his decisions will leave you in disbelief, but that makes the book entertaining and riveting. Be warned: if you don't like graphic sex, you won't like this book but if you can overlook that (and I recommend that you do), you will find yourself in for a treat.

Disclosure: From Trish, <3


PS Another favorite quote "[...]and asked Jammie if I could tell Helen what was happening. [Karim]

'Yes, if you want to expose our culture as being ridiculous and our people as old-fashioned, extreme and narrow-minded'." Jamila pg. 71

That quote is telling because I think it speaks to the fear people from different cultures/ethnic backgrounds can have of opening up to Westerners/white people, for fear of confirming stereotypes and not 'uplifting the race.' But that's just my very brief interpretation since this review is long as is :)

Mini Reviews: The Long Song, White is for Witching, Before You Suffocate Your Own Fool Self

The Long Song by Andrea Levy 2010
Farrar, Straus and Giroux

IQ "My beloved son Thomas did caution, when first I set out to flow this tale upon the world, that although they may not be felt like a fist or a whip, words have a power that can nevertheless cower even the largest man to gibbering tears." pg. 23

Miss July (at the urging of her son Thomas) is putting pen to paper and describing her life as a slave in Jamaica. July is a mulatto child who at first grows up with her mother on the sugar plantation they work at, but later on, the sister of her 'owner' decides to make July her personal servant and rename her Marguerite. July is mischievous, ingenious and soon she becomes indispensable to her mistress. July learns to read from her mistress Caroline in order to better help Caroline
keep the books and run the plantation. After the Baptist War the slaves are free, but July doesn't feel any different and she still lives with Caroline. The arrival of a new (young) English overseer, Robert Goodwin, brings dramatic and subtle changes to July's world.

I'm not sure if it's just me, but I've never liked reading about slavery. Even if it's a great literary masterpiece, I have to work my way up to it. This one intrigued me because I had read reviews that described it as 'humorous.' A book with slavery that was humorous? Hmm. I'm glad I took a chance and read it. It's not laugh-out-loud funny but there is a dark sense of humor that runs throughout the book. Readers will smile or smirk at the quiet acts of rebellion slaves engaged in. Ranging from spitting in the dinner to using a bedsheet as a tablecloth, etc. At first I was appalled at how crude the actions could be, but then I realized that I can't even fully comprehend what slaves had to go through, so who am I to judge? I almost wish I read more about slavery so that I could compare American slavery to Jamaican slavery. I would wager a guess that Jamaican slavery was much harsher, although it did end earlier (I believe 1838). July does not like to dwell on all the horrors of slavery so it's not as graphic as it could be. I'm just really sensitive to suffering in literature so I was constantly wincing or balling my fists up. There was an excellent quote about the demise of slavery and the celebrations that ensued "As the coffin with the words, 'colonial slavery died July 31, 1838, aged 276 years' was lowered into the ground, a joyous breeze blew. It was whipped up from the gasps of cheering that erupted unbounded. When the handcuffs, chains and iron collars were thrown into that long-awaited grave to clatter on top of slavery's ruin, the earth did tremor. For at that moment every slave upon this island did shake off the burden of their bondage as one." (pg. 141)

The Long Song is a more gentle look at slavery as well as eye-opening. I'm willing to bet that not many Americans know of the Baptist War, which was a slavery uprising that lasted ten days in 1832. July lives through that and it's interesting to read her observations on it as well as to see how Caroline felt about it all. There's nothing suspenseful to this plot, but there are some surprises (especially concerning the white master). I was also shocked by the madness of some of the characters, ones who started out quite reasonable and then became someone else entirely. Also for readers who don't know much about the history of color prejudice in the Black community, this book provides a good foundation in seeing why everyone thought you were alright if you were white (or just light). July is a fun narrator to have because she is quick-witted and you can just tell that while she's sharing some of her more mischief-filled tales, she's winking at the reader and smirking to herself. Her son has to cajole her into providing more details and we're grateful he does (she records the gist of their conversations) because it offers a less than rosy picture that July was trying to present. This makes July somewhat unreliable but her son always holds her to task (and she complains about that quite a bit). July acknowledges that slavery sucked but she doesn't want to dwell on it anymore. The writing was such that I could sense July sitting next to me and hear the cadence of Jamaica in her voice and the voices of other slaves and even the poor white folks. Historical fiction at its finest, provides a firm sense of setting and characters.

Disclosure: Received from Trish. Mil gracias Trish!





White is for Witching by Helen Oyeyemi 2009
Picador Press

IQ "What I mean is, each act of speech stands on the belief that someone will hear. My note to Miri says more than just I'm lonely. Invisibly it says that I know she will see this, and that when she sees this it will turn her, turn her back, return her." Eliot pg. 4

The home of the Silver women is haunted. Not just haunted, but it has a mind of its own. The house does not like to be lonely and so the Silver women can never leave. Miranda Silver's mother, Lily, died suddenly, leaving Miranda and her twin brother, Eliot, hurt and lonely. Their father, Luc, cares deeply for them but he's powerless to help them against the forces of the house. When Miranda develops pica (which causes her to eat things like chalk, mud and plastic), none of the therapy or most appetizing meals cooked up by Luc, can help her. Miranda gets thinner and thinner and slowly starts to disappear, leaving Eliot and her best friend, Ore confused and scared.

This is a weird book. The writing style is both spectacular and frustrating. The author picks seemingly random words to both end the first sentence and start the first sentence but they aren't connected. Like so: "she heard the clatter of cutlery, she heard the whir of
the lift
broke down in the night." (pg. 35) It's a very cool writing style and new-to-me. Not sure if other authors do it. The writing can be frustrating though because it can be confusing. It's not always clear whose talking (the house, Miranda, Eliot, Ore?). Also a large chunk of the book has nothing to do with Ore so I'm not even sure why she's mentioned. Although she does become quite important in the end. The writing/plot can become frustrating because it's full of hidden meanings and half truths. Nothing is ever fully revealed so you have to draw your own conclusions on nearly everything. Due to this, I never felt that I truly got to know any of the characters either. They simply remained names on the page who were described quite a bit, but I just didn't have a distinct grasp of their personality (aside from everyone worrying about how odd Miranda was getting). Furthermore, I could not understand why people were attracted to Miranda. In part because I couldn't figure out her personality but also because she ate chalk and other inedible objects and she was extremely thin and could be off-putting. Mystifying, especially when she says things like this "[s]he peered up and down the broad passageways and tiptoed past the bedroom doors, feeling like dust, as if she were everywhere at once. She could pull herself tight and then explode and choke everyone in the house." (pg. 77). Elegant statement, and yet it's also chillingly mental.

White Is For Witching isn't completely dark. It has a light, almost playful quality to it because the author never flat out describes the horrors that occur in the house, they are merely hinted at. I was also intrigued by how the novel touches on the topic of immigration. I don't know much about England and immigration, but I do know it's a touchy subject and more and more people seem to be anti-immigrant. This book looks at that because the house hates foreigners and sooner or later, the house drives them away (Luc turned the house into an inn). There is a lot of talk of the Kosovans but I know nothing about this particular group of people so I was more than a little lost.I think I understood why the house was so xenophobic though and the reason was fascinating and while I thought it was completely daft, I was able to see the twisted logic. Another popular theme in this book is madness, Eliot states "I've read that madness is present when everything you see and hear takes on an equal significance. A dead bird makes you cry, and so does a doorknob. This morning I was not mad. The only thing significant to me in all the world was the creaking upstairs." (pg. 244). Everyone in this book is slowly going mad in some way and it all seems to come back to Miranda. Perhaps I will revisit this book in the future and better understand it. For now I can appreciate the complexity of the plot, the stunning writing and the questions concerning madness and immigration (even if I don't understand what exactly is being asked or what the answer is). To me the most horrifying thing about this book is how vague and unexpected everything is, the situations described are truly bone-chilling but they are never completely described. It's up to your overactive imagination XD

Disclosure: Thank you Tricia!

PS It's an off-color review because the author is Black but the main character, Miranda is white. Her best friend Ore is Black.


Before You Suffocate Your Own Fool Self by Danielle Evans 2010
Riverhead Books/Penguin Group


IQ "We were not so much tempting fate as barganing with it. With the sincere fatalism only teenagers can manage, we assumed that what happened before the year was out would determine what our lives would be forever after, and no one seemed thrilled about their prospects. Life became an insistent preoccupation with what happened next." Crystal pg. 218


A short-story collection about young Black people living life. Honestly that's all there is to it. There are eight short stories and while most of them focus on race and coming-of age, there are also questions of love, class, and friendships.

I really like the above quote because I feel as though I'm going through it right now. Even though it's not my junior year, it seems as though now I spend at least five minutes a day trying to plot out my future or imagine what it will be like. I want to go back to living in the moment, like most of us do as kids. We are told that are scores on the SAT, ACT, PSAT and our GPAS will determine our futures because if we show that we are 'smart' enough we will get into a great college, from there we will find love, money and happiness. Yeah ok. Anyway, this quote really resonated with me and it's from my favorite story of the collection, "Robert E. Lee is Dead". I'm not going to talk about every single story in this collection. My least favorite story was Virgins. It's my least favorite because it had the least satisfactory ending for me. My fear with short story collections is that I will want MORE and I do want more, but more from this author. Most of the stories ended in a messy/open ended way but it wasn't too cliffhangerish, except for some odd reason, "Virgins" left me feeling cheated. "Virgins" is about two fifteen year old girls who hang out and decide to go to a club. With fake IDs anything is possible and both girls are going to learn some hard-earned lessons about sex and friendship. I love a quote from this story when the narrator, Erica says quote matter-of-factly "We weren't bad-looking, neither one of us, but we weren't ever going to be beautiful, either, I knew that already. We were the kind of girls who would always be very pretty if but if never seemed to happen." (pg. 10) I can totally and completely relate to that, feeling as though I would be truly pretty IF I could change...xyz (hair, nose, etc.). The story that provided the most food-for-thought regarding the complexities of class was "Harvest". It centers around abortion, "white trash", and making money by selling your eggs to fertility clinics. All of this while in college. In "Robert E. Lee is Dead", Crystal has everything going for her and she seemingly throws it all way. Definitely the story I was the most emotionally invested in.

Before You Suffocate Your Own Fool Self manages to sound both matter-of-fact and unsure. One minute the young narrators and the other characters are confidently expressing what they plan to do (even if they know it's going to land them in trouble) and the next they are filled with self-doubt, waiting for someone to talk them down from what they're about to (before they suffocate themselves). Yet they are also telling the readers to hold back all judgement until you've finished their story and THOUGHT about it for a few minutes. To me, the main characters asked the readers to hold off on all rash judgements. None of the people in this collection know exactly what it means to be an adult and it's not like they can ask their parents for help. Parents are rarely mentioned but it is noted that family is more than a little complicated and full of secrets. It will be interesting to re-read these stories when I'm actually in my 20s and then when I'm older and am able to actually look back. For now, most of these stories felt as though they could be happening to certain people I know and detailed experiences that I'm sure I'll come up against at some point. Most importantly of all, I appreciate an author who writes for adults treating teenagers with respect and compassion. She shows that we know more than we get credit for and that we go through a lot, internally and externally. As I'm sure you can imagine, I tend to avoid short story collections because I'm afraid of info dumps/lots of backstory and being left in too much suspense (I HATE suspense). Fortunately for me, Danielle Evans doesn't have much of any of that. Her next book is a novel, The Empire Has No Clothes and it involves politics. Best believe I will be reviewing it here. Read the poem the title comes from (LOVE the poem. Can't believe I just learned of it now).

Disclosure: My mom bought it because she liked the title. I was going to buy it anyway but I'm glad she beat me to it :)

PS Another favorite quote from my second-favorite story ("Wherever You Go, There You Are"), "It makes me happy when I recognize myself in a lyric, even if the lyric is I lied, you lied, I lied, to really love something is sucidie, because how I feel about Brian hasn't been about love in a long time, it's been about mattering the most, and as I count the songs, I'm confident I'm still winning on that scorecard." Carla pg. 188