Showing posts with label Lee and Low. Show all posts
Showing posts with label Lee and Low. Show all posts

Tuesday, November 29, 2011

Under the Mesquite

Under the Mesquite by Guadalupe Garcia McCall 2011
Lee & Low Books

Rating: 4/5

IQ "I know he wouldn't purposely/hurt me; he's just venting/his frustrations,/So when I feel his anger/blowing my way,/I hold my breath and try to see through it. /But then the smoke burns my eyes/till they start to water,/and I know it's time to move-/find a clear spot/away from the smoldering coals." "What's Gone" Lupita pg. 111

Lupita is the oldest of eight siblings and so she is a huge help to her mother. Her mother tries to hide her cancer diagnosis from her children but Lupita discovers the truth and she is terrified by the very real possibility that she could lose her mother, the thread that holds their large family together. Lupita must take charge as head of the family while her father works and drives her mother to various treatment facilities, but her siblings won't cooperate with her and her class load is hardly manageable. If Lupita falls apart she fears the family will fall apart and she cannot allow that to happen.

Lupita's friends were bizarre. They jarred me so much that I couldn't get them out of my head even after they disappeared for a brief time from the pages. Her friend Mireya makes one horrid comment in the beginning of the book and I expected Lupita to stop being her friend. But she doesn't. Lupita seems to pretty much be a loner anyway so I could not fathom why she still talked to Mireya. It seemed unrealistic to me because I do not think anyone would remain friends with someone who made such an awful comment about their family. I also think that whether because it was free-verse or just short, it was hard to connect with the other characters. This is Lupita's story but when you have eight other siblings I can't help but feel that more notice should be taken of them. I also wanted to know more about her relationship with her father.

This novel is not driven by plot, it is driven by emotions and a series of small events in Lupita's life that affected how she is now. I think this book's strength lies in the fact that it focuses less on Lupita's mother succumbing to the disease and more on how her mother's illness affects Lupita and their strong mother-daughter bond. The mesquite grows in Lupita's mother's rose garden and at first her mother tries to remove it but eventually she gives up. Lupita and her mother are both stubborn and they book strive to see the beauty in pain and in ugly things. Lupita uses her mother's illness to help herself become a better actress, to inspire her writing. But her poems are not angst-ridden, instead they are thoughtful. This thoughtfulness is a theme for the author as more and more now I find myself able to applaud the ease at which an author includes Spanish and English side-by-side without offering the direct translation. Lupita is not babied and neither is the reader. I appreciated the little moments of joy that permeated throughout this novel. Like Lupita I was worried for their family and then something amusing or a border-line miracle would occur and we would both be reassured that maybe everything would be OK.

Under the Mesquite is a fast read filled with sublime poems that will make this book stretch out further because you want to go back and re-read the lines. Lupita's self-direction and courage are admirable qualities and we should only be so lucky to remain as steadfast as she does. She is not a saint, she lashes out at her siblings at times just like anyone else would. I admired her utter selflessness as her college funds and the college funds of her siblings were drained in order to pay for her mother's operations. I would do the same but it might take me a little more time to come around. To be perfectly honest though, while this book is lovely, it did not stay with me. I had trouble writing this review because I could not remember the small details in this book. Since this is a book that is all about the small things, the little details that change during the illness of a loved one, this is problematic. But that's just me.

Disclosure: From the publisher. Thank you so much Lee & Low!

Monday, October 24, 2011

Male Monday: Wolf Mark

Wolf Mark by Joseph Bruchac 2011 (ARC)
Tu Books/Lee & Low


Rating: 1.5/5

IQ "They say it's always darkest before the dawn. But what do you do when the sun comes up and it's still not a new day?" Dad pg. 338

Lucas King knows a lot, but what he doesn't know is what exactly his father does as a Black Ops infiltrator. He doesn't know why his family moves around so much. He doesn't know what happened exactly to his Uncle Cal, only that he's dead. When Luke and his father settle in a new town (I don't remember where, I think a small town out West) it seems as though they will be there for a while and maybe Luke can finally adjust and be invisible to everyone except his new friends, Meena and Renzo. But Luke has to come out of the shadows when his dad goes missing and he spots mysterious men near their trailer, he suspects they are waiting for him. Now Luke is on the run and with the help of some mysterious Russian hipsters, Luke might manage to out wit the kidnappers and save his father. But can the hipsters be trusted? And why exactly was his father kidnapped?

I wanted to like this book. The first book published by Tu Books, an imprint whose mission I adore. I have really liked previous books by Joseph Bruchac and yet Wolf Mark was a disappointment for me. First, this book commits one of my little pet peeves which is short but many chapters. There are 73 chapters, 374 pages and about five pages per chapter. I think that's a waste of a chapter, especially since each chapter ended SO DRAMATICALLY which was pointless. Why end with a cliffhanger when the reader will just turn the page and discover the big secret? It creates pointless drama and after awhile it becomes annoying and ridiculous. Another thing that bothered me was the character of Meena. She's Pakistani as the author likes to remind us whenever he bothers to mention her, she's solely there to be the love interest and the climax of the book features one of the most cliche scenes concerning love interests. I legitimately rolled my eyes. Plus I didn't understand why the author was obsessed with talking about the 'repressive culture' of Muslims in Pakistan and how Luke and Meena could never be together because of her father and yet when her father is introduced he doesn't seem all that conservative...But what finally drove me to the edge and made it impossible for me to finish this book was ALL THE METAPHORS. Not only were there too many metaphors, some of them were just strange. here's a sampling "I'd be listening as avidly as a lion in a zoo does when i hears the footsteps of its keeper approaching at feeding time with a bucket of raw meat. Growling with happy expectations" (pg. 178), "I'm further down the social ladder from them than a worm is from an eagle" (pgs. 17-18) and "she gives a little nod at that piece of information I've fed her as carefully as a zoo-goer slipping a piece of fruit through the bars to a sharp-beaked bird" (pg. 214). These metaphors are too long, too random and too ridiculous. Who thinks/talks/writes like that?

I could not even focus on the spy elements of the novel which I had thought would be the best part of the book because I was so busy rolling my eyes at the metaphors. I was also irked at how cliche the climax was, not only with Meena but also with the evil villain. And Luke even acknowledges that the whole scene is completely cliche but then....the author does nothing to make the scene any less of a cliche. Luke also intentionally reads like a know-it-all. He explains that he remembers everything, which is fine, but he feels the need to spout random facts that are completely irrelevant. Furthermore, there were dramatic moments in the story where Luke would say something like "I started thinking about....." and it would be SO RANDOM and take away from that particular scene that was getting interesting and dissolve into some philosophical musings (one particular scene towards the end comes to mind). I do however think that the genetically engineered beast hybrids were creative if not sad. And while I didn't like how the author used Luke as a mouthpiece to express his views, he makes some great points. Luke is also a funny guy which never hurts.

Wolf Mark has some good elements but they do not create the exciting story I was hoping for. The author clearly wants his readers to learn a lesson (he says as much in the Afterword) the problem is that the story is sacrificed for the lessons and the audience is forgotten. I was also bothered at how the evil villains all had to be racist. One of them kept saying "Honest Injun" which I thought was a phrase people stopped using around the '70s...but maybe in small towns? Or is it a Western expression? I don't know but it was jarring and it sounded alien to my ears which made the character who said it even more of a joke. Between the caricature characters (the elite Russian mafia-esque students that Luke sort-of befriends had potential but they are all so one-dimensional), the overuse of metaphors (I'm starting to realize that sometimes metaphors are not one's friends) and the random tangents on various aspects of today's societies (rants about our foreign policy, war in general, racism, etc) I could not handle this package. The many short chapters ironically enough made it harder for me to want to finish this book because it seemed to never end.

Disclosure: Received from Tu Books. Thank you! Especially for starting the imprint Tu Books =D